As I always do with any project, I started storyboarding the shots for Kendrick. I didn’t want to loose anything so the storyboards became some kind of roadmap.

I had drawn a ton of frames, because I think, that the less resources you have on set, the better your filming should be prepared.

And although I was drawing in the accelerated mode (5 to 10 minutes per frame), the drawing process took too long. So I had to find a way to work faster.

Below are some of the storyboard frames I did for Kendrick.

 

Coming up next: Replacing the Pencil with Stick Puppets