Finally.
After struggling for nearly two months with figuring out the best way to shoot episode three, The Ballerina, I decided that working in little bits and pieces – 15 minutes here, 20 minutes there – would not take me very far.

So I took a day off my daytime job and locked me up in the shared underground storage space of the building I live in. I’ve written about that room in this post before. I guess that most people would not call that the most comfortable working place, but what else do I need than two light bulbs and a table?

And, guess what, after a 16 hour drawing marathon the storyboard for The Ballerina is finally finished!

Yeah!

Below you can see some frames of the finished storyboard.